Man of Steel (2013)

Man of Steel (2013)

Metals… there seems to be a lot of emphasis on them in films nowadays. Not that there are films out there about smelting and how steel alloys are crafted, but you can’t help but notice how the combination of metals and humans has made some serious money in the past few years. OK, this is a really odd and tenuous link / introduction to the review, but you get my point surely? Robert Downey Jr.‘s Iron Man and all of his related films have been a major earner in Hollywood. A major earner. They’ve taken comic book movies to the next level and showed the immense drawing power of these films. So what happens when you upgrade your iron? How about we put some steel into the mix? And switch from Marvel to DC? And add Christopher Nolan and Zack Snyder into the mix? Let’s see how Man of Steel stacks up shall we?

Man of Steel (2013)

Man of Steel is of course the story of Superman. The superhero that flies, shoots heat lasers, has x-ray vision, is super strong, is near invincible etc. etc. This is one of the main reasons I’ve never had any affection towards him from a comic book fan’s perspective. He’s just got too many damn powers. And his weakness? Kryptonite… an asset that everyone seems to have in his world. I won’t lie; I’ve never read a single page or panel of a Superman comic, so this review isn’t coming at you from a fanboy perspective. What do you think this is? A Marvel film review!? Nor can I attest to being a fan of Christopher Reeve‘s outings as Superman. If I’m honest, the closest I’ve got to this franchise was Lois & Clark: The New Adventures of Superman with Dean Cain and Teri Hatcher. Yeah, I admitted it. What of it?!

Regardless, this movie has been touted as gritty and grounded; due in no small part to the success of Christopher Nolan‘s Batman franchise. This also explains his involvement as an Executive Producer on this movie. Couple that with Zack Snyder and you should have something to marvel at. I must admit, I was dubious of Snyder being given the gig, as I’ve been less than impressed with him since 300. Watchmen was okay, and Sucker Punch? Well, let’s not speak of it. But I’ll hand it to him… Man of Steel is good. Very good…

Man of Steel (2013)

Man of Steel is the reboot the series has been yelling out for. It tells the obligatory origin story, but in a refreshing way. We see little Kal-El (Henry Cavill) on Krypton being sent away by his parents Jor-El (Russell Crowe) and Faora-Ul (Antje Traue) as they aim to let him thrive off on Earth before Krypton implodes / he’s taken by the marauding General Zod (Michael Shannon). We skip a load of years and see his life with Jonathan (Kevin Costner) and Martha (Diane Lane) Kent. What’s refreshing is that his life is filled in through flashbacks throughout the film, which allows the central plot to progress (him coming to terms with his powers, discovering the hero inside, yadda yadda) whilst also colouring in the background. I liked it.

The story is quite straight forward in many ways, and is probably a bit cliché / has been done before. But what really sold Man of Steel to me was the sheer calibre of the acting on show. Everyone is pulling their weight and then some. Let’s, naturally, focus on Clark / Kal-El / Superman himself: Henry Cavill. This guy is perfect for the role – from his astoundingly broad-chested physique to his mannerisms and relatability. I was totally sold on Cavill‘s performance and can’t wait to see him return. My next favourites in the movie? Easily Costner and Crowe. I’m a big Russell Crowe fan, and once again he showed his acting chops off really well, as did Costner; giving one of his best performances in years. There wasn’t a single weak link in the line-up of main actors here. That’s hard to achieve!

Man of Steel (2013)

As I mentioned earlier, the flaws with the film – for me – were the plotting (fairly obvious) and sometimes very dry tone. I’m not expecting Iron Man-esque laugh out loud moments, but it was the inclusion of two or three obvious spoken jokes that had me cringing. They fell so flat and left me feeling awkward. Some have bemoaned the lengthy running time, but I’ll disagree with them; I thought it worked well at its current length. Sure, there was probably one fight too many in the middle section, but I was entertained and that’s what matters with comic book movies isn’t it? On that note, I also felt the climax of the movie – the “big bad event” was fitting and felt suitably menacing. I’d argue it was a far bigger threat than The Dark Knight Rises or The Avengers could muster. It’s nice to feel a true threat… even if you had no doubt about the ultimate outcome!

Man of Steel (2013)

Also, I need to mention just how it looked… fantastic. Snyder does have a flair for filming beautiful looking scenes and Man of Steel doesn’t disappoint. I felt the sheer scale of his universe and felt drawn into it entirely. As I say, I can’t wait for the already announced Man of Steel 2… although I hope it’s not called that!

Man of Steel is the Superman movie fans have been roaring out for for years since the weak Superman Returns. Finally, arguably the most famous superhero of all time has a film to be proud of. The reason this film works so well is the way in which it’s an origin story, but told in a nicely succinct way, and the sheer calibre of acting talent on show. Cavill is the perfect Superman and his supporting cast are all firing on all cylinders. Although the film’s not perfect, and arguably not as fun as Marvel’s current stable of characters, it bodes well for the future of the franchise.

So who wins out of steel and iron? Although steel is actually the superior metal, there’s no competition here in the fact that Iron Man is superior to Man of Steel. But it’s close. And you could argue that they’re incomparable owing to radically different tonality. Whilst one is stern, one is jokey. Can you imagine Robert Downey Jr. as Superman though? Can you? Now that’s something to think about…

Phage Factor:

4 Star

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The 2012 Phagee Awards

Phagee Awards 2012

The years… they come and go faster than Lindsay Lohan‘s court appearances. But 2012 was special. It was the year that Film Phage entered the universe, kicking and squealing at the bright lights… once again, just like Lindsay Lohan. And as is traditional at this time of year, I think it’s apt to take a retrospective look at the year that was and hand out the coveted Phagees [pronounced fay-jeez]. In this, the First Annual Phagee Awards, there are a number of categories and prizes up for grabs – none of which are worth the paper they’re printed on, or indeed, the pixels they’re displayed on.

Loyal readers who’ve been with us from the start will know that our birth was only in the middle of the summer, so the films released in the first half of the year were in the months BP (Before Phage) and as such, have no reviews. We’ve been thinking long and hard whether it’s right to include these “unreviewed” films in our awards, and we came to the conclusion that yes… yes it is right. If you disagree, then please write to the Awards Committee at thisaddress@doesntexist.com and make your voice heard!

In each category, we have up to 5 nominees from all the films released this year. But there can be only one winner in each! Also, we’re running with the UK release schedule – we got some 2011 films in 2012 and won’t sadly be getting the likes of Zero Dark Thirty, Lincoln and Django Unchained until 2013! Regardless, let’s get this show on the road!

Best Animated Film

FrankenweenieParaNormanBraveIce Age: Continental DriftRise of the Guardians

Winner:

Phagee Frankenweenie

Yes, like you, we also don’t think Tim Burton is the Messiah, nor do we rate many of his newer movies, but we really felt Frankenweenie was a cut above the rest of this year’s nominations. It looked gorgeous and had a deliciously macabre sense of kooky humour to it. Its innumerable nods to horror films of yesteryear was also really nice to see and easily merits repeat viewings. Plus, it’s Burton… you never know how he’ll end a film. He’s not afraid embrace the darkness. All this being said… had Disney decided 2012 was an appropriate year to release Wreck-It Ralph in the UK, the winner’s podium may not look exactly like this…

Best Male Actor:

Matthew McConaughey (Killer Joe) / Tom Hardy (Lawless) / Pierce Gagnon (Looper) / Ben Affleck (Argo) / Bradley Cooper (Silver Linings Playbook)

Winner:

Phagee Tom Hardy

Now, as my loyal Phagelings know all too well, I’d be more than happy if they cast Tom Hardy in every movie until the end of time and 2012 really has marked his arrival with the mainstream audiences courtesy of his roles in The Dark Knight Rises and Lawless. I think the guy is a sheer force of nature, which is why we’ve awarded him the 2012 Best Male Actor Award. Not just for his subdued and stunning performance in Lawless, but also for his sheer presence and abilities as Bane in The Dark Knight Rises. I do however have to give much credit to the young Pierce Gagnon. I’d be very tempted to give him the prize owing to his skills in Looper, but I think there’s more to come from this little guy. I want to see what his next move is.

Best Female Actor:

Jennifer Lawrence (Silver Linings Playbook) / Emma Stone (The Amazing Spider-Man) / Juno Temple (Killer Joe) / Kate Winslet (Carnage)

Winner:

Phagee Jennifer Lawrence

Having looked through all the releases that have dropped in the UK this year, I’ve got to say that it’s something of a paltry selection for Best Female Actor this year. In the US, you have Zero Dark Thirty, Lincoln and Les Miserables already released. But here? No such luck. That being said, Jennifer Lawrence has really come into her own thanks to that performance in Silver Linings Playbook and is totally deserving of the Phagee here. I really enjoyed her performance here and the chemistry and back-and-forths between Bradley Cooper and Lawrence made for a sleeper hit for the year. Glad to see she’s being recognised in the “real” Awards Ceremonies in the world too.

Best Comic Book Adaptation:

The Amazing Spider-Man / Dredd / Avengers Assemble / The Dark Knight Rises

Winner:

Phagee Avengers

What a year for the comic book fan! Ultimately though, this came down to a two horse race between Marvel’s Avengers Assemble / The Avengers and DC’s The Dark Knight Rises. Although I found the dark tone and Tom Hardy‘s portrayal of Bane in The Dark Knight Rises to both be particularly appealing, you’ve got to hand it to Marvel Studios for pulling off the film that many thought would be too big and too grandiose in scope. But Joss Whedon scripted and directed one hell of a film. I must confess, I’m a Marvel fan boy, but who didn’t laugh at Hulk’s squabbles with Thor and Loki? Or feel the “ooo, this is awesome” sensation upon seeing the trailer for the first time. Be honest! And with the quick glimpse of Thanos in the closing credits… well… I can’t wait for Joss‘ next script and instalment in 2015.

Best Comedy Film:

21 Jump Street / American Reunion / Seven Psychopaths / Silver Linings Playbook / Goon

Winner:

Phagee 21 Jump Street

2012 was a great year for comedy and we thoroughly enjoyed all of the selections in this category, especially the underrated Goon, with Sean William Scott acting his chops off in a role that wasn’t Stifler. Having said that, the runaway hit of the year for me was 21 Jump Street. Who’d have thought that Channing Tatum, the dancing fiend, would have such comedic timing? It was also great to see Jonah Hill in a funny comedy once again. We all know that he was great in Moneyball, but it’s good to see him back at home getting some laughs. And who doesn’t love it when Ice Cube shouts at people? Roll on the sequel…

Most Searched For Term on Film Phage:

Is Kevin Dillon (Johnny Drama) in Sinister? / Sofia Vergara’s boobs / Ron Perlman as an ape / Pierce Gagnon / Merida in Brave

Winner:

Phagee Pierce Gagnon

We’ve had some truly bizarre search terms bringing people to Film Phage this year. Some of you are rather odd. Let’s just say there’s been some extremely peculiar terms entered into Google! Whilst lots of people were searching for a glimpse of Sofia Vergara‘s cleavage, courtesy of The Three Stooges, she didn’t bring us the most traffic. No, that honour went to the young Pierce Gagnon thanks to his sterling turn in Looper. However, it was nice to see that some of my odd comparisons this year also brought in the traffic. Hundreds of people still want to know if Kevin Dillon aka Johnny Drama from HBO’s Entourage is in Sinister. I’ll again answer this… no, it’s just Ethan Hawke doing his best Drama impression. Similarly, no, Ron Perlman does not voice Gutt the pirate-ape in Ice Age: Continental Drift – that honour goes to Peter Dinklage. So many of you also were trying to hunt down pictures of Ron Perlman shirtless / in his younger years / grinning. You crazy bunch.

Worst Film of the Year:

Piranha 3DD / The Three Stooges / Keith Lemon: The Film / Snow White and the Huntman / The Muppets

Winner:

Phagee Keith Lemon

Wow, there really were some stinkers this year – even before Film Phage launched. And no, I didn’t think The Muppets was fun either. I fell asleep for the first time in a movie since I was about 4 years old. But the dubious honour of “Worst Film of the Year” goes to Keith Lemon: The Film. Never have I been so bored and unentertained in a comedy movie. Even the teenage target audience were walking out of the screening before the 1 hour mark was up. Maybe Kelly Brook should have opted to somehow appear in Piranha 3DD after her turn in the original Piranha 3D, instead of opting to guest in this. Not “bang tidy”.

The 2012 Film of the Year:

Argo / Looper / Avengers Assemble / The Dark Knight Rises / Killer Joe

Winner:

Phagee Looper

And so we arrive at our biggest Phagee: The Film of the Year. It was tough. Real tough. Although Killer Joe was the first film reviewed here on Film Phage, it still remains one of the year’s best for me thanks to McConaughey‘s performance. However, my film of the year rests with Looper. I know… a controversial choice. Although I loved Avengers Assemble and really think it achieved so much, it had a rather basic plot. I understand that this was probably needed as it was essentially an “Avengers Origins” movie, but it still lacked a riveting story. Looper cannot be accused of the same. Yes, it has its plot holes, but it also has Pierce Gagnon. And Bruce Willis back at his best. And Joseph Gordon-Levitt pretending to be Bruce Willis back at his best. We enjoyed every moment of the film and brand it with our Phagee for Film of the Year.

What were your most enjoyed films this year? I’m sure many of you have opinions and your own favourites. I’m also sure many of you disagree with me on my big Phagee winner of the year: Looper. I’ve yet to see it figure anywhere else in any other poll of the year. Controversial? Probably. But I bloody enjoyed it… and that’s what matters.

A Superhero Movie Too Far?

Batman slaps Robin

If we don’t talk about it, we won’t jinx it!!

Batman 1999 v 2012

Batman ’99 vs Batman ’12: Pretty accurate portrayal of the public’s view of a comic book movie. From frumpy to bad ass.

If you mentioned that you liked comics back in 2000, people would assume one of two things: a) you’re a small child, or b) you’re probably a bit of a social pariah and that you should probably avoid a). Then a movie came along that changed everything: X-Men. It featured a relatively unknown cast of actors, spare a couple of big names such as Captain Picard and Gandalf (before he was Gandalf), and told the tale of a group of genetic mutants who had fantastic powers. And boy did it resonate with audiences. Sure, there was the brilliant Blade in 1998, which could be argued as the “first” big movie, but it wasn’t that much of a hit! The success of X-Men and Spider-Man two years later opened the floodgates to a slew of superhero movies from major and minor characters alike, culminating this year in the juggernauts of the box office that are Avengers Assemble and The Dark Knight Rises. But now the question is: what next? And more importantly, how much longer can Hollywood’s latest fetish survive before it implodes? Too big to fail you say? Now where have we heard that before…?

Humble Beginnings

Undoubtedly, we’re right now riding the wave that is the Golden Age of comic book adaptations. Marvel Studios’ success with their tales of Iron Man, Captain America, Hulk and Thor, and Warner / DC’s success with Nolan‘s Batman universe have cumulatively brought in over $5,400,000,000 (you need the noughts just to realise how many McDonald’s cheeseburgers that could buy you), with the split being $3.7 billion to Marvel and $1.7 billion to Warner (so far; the Bat is still flying). But crikey Batman, how the golly did we get to such jeeperiffic figures? They’re just comics!

The secret to their success, I believe, is two-fold. On one hand you have a collection of stories that are on-the-whole believable, or at least plausible for the most part, which is something I’ll come to later. And on the other hand you can’t help but notice that they’re somewhat a symptom of the times: gloom. It’s the same perfect storm that results in fast food sales soaring during times of economic hardship; this manifests in the need for escapism and heroes at the box office. Sure, some of the first big hits came pre-2008 meltdown, but all the gargantuan films: the Dark Knights and Iron Man(s) came post-2008. Hell, if you were being really analytical, you could even say the threat of global terrorism following 2001 also fed the public’s need for heroes. That’s a controversial point, but I think it’s valid. So… so long as the world is still at risk of going bankrupt or blowing itself up, the superhero can do no wrong right? I mean, the public tolerated Nic Cage‘s antics as Ghost Rider (twice!), Superman‘s lacklustre return and watched the Blade, Spider-Man and X-Men franchises tie themselves in knots; yet all was forgiven when the latter two returned recently. Not sure we’re going to see Wesley Snipes stopping people “ice skating up a hill” any time soon though. Unless the IRS lets him… Or Twilight takes a hard left turn in its final bow later this year.

Blade: Breaking Twilight

But can the studios sustain this enormous momentum, or is something looming on the horizon that could bring the whole house of cards crashing down?

There’s a Storm Coming…

The Guardians of the Galaxy

The Guardians of the Galaxy: The Four Horsemen (and a Tree) of the Comic Book Apocalypse?

As I mentioned in my round-up of Comic-Con 2012, Marvel made some peculiar announcements this year, namely by choosing The Guardians of the Galaxy as a flagship film franchise. For those unfamiliar with this group, they’re essentially a cosmic group of heroes who fly around in space, preventing intergalactic tyranny. Sounds like a typical sci-fi film right? And there-in lies the problem. The most successful comic book movies have more-or-less had some semblance of reality, whether its being bitten by a spider, having genetic mutations, or building a high-tech suit of armour. Thor, who for all intents and purposes is classed as a “God” was explained through comparing magic and science and saying they’re the same thing (hokey, but it worked). So he’s essentially just a scientific freak who wears chainmail. And is ripped. But I haven’t got to the outworldy part yet… is the public willing to accept a living tree, some aliens and a talking raccoon (cumulatively known as The Guardians of the Galaxy) as superheroes? I know Disney are involved nowadays, but a talking raccoon and tree? Last I remember, the TV series The Raccoons ended in 1991… maybe that’ll have a resurgence? God I hope not.

And in the non-Marvel Studios stable, we hear rumblings that Warner is looking to open Pandora’s box and unleash all manner of oddities on the cinema-going public, now that their baby bat has flown the nest. The Metal Men? Lobo? Really? It’s a case of a studio reaching the “terrible 2’s”, seeing what Marvel has and saying “I want, I want”. Add this to the in-production reboots of failed franchises such as Fantastic Four, Daredevil and Green Lantern and you’re risking meltdown with the public, being the fickle beings they are, not caring any more.

What’s my opinion? Hell, I love the comic book genre, and was one of those little kids that read about Spider-Man and X-Men and religiously watched the cartoons on Saturday mornings. And I’ll no doubt watch every movie that comes out, even the Ghost Rider: Spirit of Vengeance‘s, Elektra‘s and The Punisher‘s of this world. The only fear I have is that we’ll return to that pre-2000 mindset, where only us nostalgic fans remain… in our rooms… talking of the now mythical Golden Age of comic book movies. But then again, people have been predicting this bubble will burst for years now, so maybe I’m barking up the wrong tree. Possibly a tree that isn’t a superhero.

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