Robocop (2014)

Robocop 2014 (2014)

Way back in the mists of time, we put some features up on the age-old topic of reboots: what’s the point of them? Are they better than the original? Was the original any good to begin with? Every year spawns iterations and new reasons for die hard fans to spew forth venom and shake their fists in discontent. I’m still not entirely sure this is the case when some of these films are 20+ years old. If you love the original, then great! You’ve got a favourite film. But that doesn’t mean you have to love the new one does it?? For me, I love Pulp Fiction and wouldn’t really care too much if it was remade. Simply because I know it can’t be topped! But maybe Pulp Fiction’s still a bit too modern (and iconically Tarantino)… unlike the current reboot-du-jour: Robocop. I am the law!

Robocop (2014)

Sadly, we don’t ever hear the line “I AM THE LAW” in this version of Robocop! A lot of time has passed since 1987. A lot has changed since 1987. The Phage has certainly changed since 1987. I think I was last seen getting my head stuck in a flight of stairs in 1987… I’m sure that’s going to happen again in 2014 though if I’m honest; I just can’t resist the urge to see whether my can fit into a tiny spot! Anyway… back on track! Yes, a lot has changed since 1987. We now find ourselves spending 2/3 of our day being controlled by screens of various sizes. Technology has come on leaps and bounds. This is how the cast seem to be justifying this reimagining / rebooting of the one man law machine: Robocop.

The premise is loosely the same: Alex Murphy (Joel Kinnaman), a Detroit cop becomes irreparably damaged through no fault of his own. When he wakes up he’s been fused with machine to become the world’s first Robocop – a cyborg for all intents and purposes – by Dr. Dennett Norton (Gary Oldman). In this iteration though, it plays against the backdrop of Raymond Sellar’s (Michael Keyton) OmniCorp looking to break the American market for machine-based legal protection. The one thing that stands in his way is a pesky piece of legislation prohibiting robots from policing the country, as they’re devoid of emotion and rationale. This is where the idea to fuse man with machine comes about… if they can show the value of such an entity, then the law could get repealed… but obviously, things never go exactly as planned!

2014... back in black!

2014… back in black!

Much has been made of the social commentary of Robocop. And some of it is rather stark and in your face: parodies and pastiches of what’s going on in the world. Nowhere is this more evident than Samuel L. Jackson‘s Pat Novak sections where he espouses the pro’s of the right wing, pro-robot agenda. It’s obviously used to harken closest to some rather large US networks that perhaps push a similar agenda. Aside from the robot thing… none of them have pushed that yet. Not until Google take them over anyway, which’ll only be a matter of years I’m sure, using their android drone army!

I seem to have spoken in-depth about the philosophy of this film, but little about the actual content! Let’s correct that. Robocop is a solid piece of science fiction, but doesn’t go much further than that. That’s not to say it’s unenjoyable – it has some interesting concepts and some serviceable performances, but it never challenges. If I think of some of my favourite sci-fi films of recent years, such as District 9 or Looper, they challenged and dazzled in equal measures. I certainly wasn’t expecting a film of similar grandeur, let’s not make any mistakes, but I was also hoping for something along the lines of last year’s Dredd. That film offered beautiful visuals with a simple plot mechanic, but was thoroughly entertaining. But Robocop… well, doesn’t hit the same highs as his other be-helmeted cop brethren.

Robocop (2014)

It has its set pieces, but the film lacks the connecting sinew – the true plot. It’s there, but it’s not wholly fleshed out. The performances are also there, but they too fail to really blow you away. This is particularly true of Joel Kinnaman. I’m going to refer back to Dredd here by talking about Karl Urban. Karl, despite only showing his jaw for the whole film, held the screen and brought a lot of emotion to that jaw role. Kinnaman doesn’t really deliver the same… it’s somewhat bland… but that may just be fantastic character acting!

I think the biggest thing that’s lacking in this film is heart. The original had a sense of humour and over the top violence. Whilst the latter certainly isn’t needed, the former is. Samuel L. Jackson provides some much needed comic relief, but the film is sadly devoid of other respites…

Ultimately, Robocop is more like the machines than he probably realises: slick and shiny, but ultimately devoid of human emotion and heart. Whilst it’s certainly not a bad film, it’s hardly going to set the world on fire. There’s been much talk of trying to restart a franchise with this film… but with this offering, I’m unsure if that’ll happen. Having said that, I’ve been wrong in the past. Although it is nice to state that this definitely won’t be up for an Oscar, which has been a recurring comment here with several of the past films we’ve reviewed!

So, this is simply another case of a reboot failing to really re “boot” a franchise. It got a slight shoe-ing, but definitely not a booting. It’s a shame as the film had a lot to offer at its premise with the machine-driven future we’re spiralling towards. I wonder if we’ll ever get Google: The Movie – that won’t need a reboot. Well, I’m sure we will get it in 2028 when our overlords take over our lives with their Google Glass, Google Droids and Google Boogles (we made the last one up)… They are the law.

Phage Factor:

3 Star

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13 thoughts on “Robocop (2014)

  1. Good review. I agree w/ your take, although I have a bit of a different interpretation. If you click on my page you can find my review there if you’d care to check it out. I do hope they do a sequel w/ this franchise. There’s a lot of depth and substance to cover, I believe. Maybe the sequel would be more focused on Robo fighting crime. Could be good. 🙂

    • Ah I don’t know… I’m pretty sure it has it’s detractors. It was just ‘good’ – nothing more, nothing less in my eyes. Maybe it was just a nice respite from amazing films we’re seeing released right now?? Mind you… That should have made us MORE critical…

  2. There didn’t need to be a remake for RoboCop, but at least it wasn’t horrifying to watch, as many had originally predicted it as being. Just a bit dull, that’s all. Good review.

    • Ah yeah definitely not a horrifying watch. I also expected something bad to come of it. I’d put it with Total Recall – remakes that weren’t being yelled out for, but neither was an abomination!

  3. I agree with most of the posts and your review, in that it wasn’t a bad film, it’s definitely my definition of a popcorn film (no brains required)!! I was surprised it managed to keep its 12A rating though as the opening sequences showed suicide bombers!! The viewing I went to had quite a few younger kids in the audience and I don’t think many parents were expecting that!

    • I actually didn’t even think of that point… Very good insight there!! It’s definitely a harder 12A than something like Spider-Man!! Clearly only blood and swearing make a 15… Odd!!

  4. I agree with you for the most part. Not that you’re claiming the movie is anything to write home about, but I probably enjoyed it a little less than you. It’s strange, I can’t think of a single high point in the film. Nothing leaps out as particularly well done. Everything is kind of just good enough, which is really disappointing as a whole.

    • My high points were Samuel L Jackson based… I think that in itself tells you a lot about the film; namely the fact that Robocop wasn’t the be all and end all of the movie. We’re totally with you twofeet!

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