Mud (2013)

Mud (2013)

I like it when an actor blindsides you with a performance you really weren’t expecting. Especially when they’ve been somewhat typecast in previous movies. Sure, you might be able to identify the odd movie they had that was a break from the norm, before they reverted back to their “type”. And actors sure do love playing up to their “type”! I don’t think we’ll be seeing Dwayne Johnson playing a hopeless romantic any time soon… unless his romance is between him and a free weights section at the gym. Conversely, you’ve got someone like Channing Tatum – a guy that’s willing to experiment with his roles, which has led to some startlingly good performances where he doesn’t just dance around the screen… But all of this pales in comparison to a performance from 2012 by one Matthew McConaughey. That film was Killer Joe. His new film promised more of the same: a break from “type”, but did Mud deliver?

Hey Joe!

Hey Joe!

I must say that Mud came at me from under the radar. I had no hype for it and it honestly wasn’t even pushed very hard in the UK. If I’m honest, I only became aware of it thanks to Keith over at Keith & The Movies putting it as his “most anticipated” movie of 2013. This guaranteed I had to go out and see it when it hit the UK… and it’s now hit. In an extremely limited release! Coming off the back of a disappointing The Place Beyond The Pines, I was eager to see a movie that lived up to my expectations from its protagonists. Well, Mud did at least achieve that… but just didn’t hit all the high notes I was expecting.

Mud is the tale of two boys, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), who are growing up in the river communities of Alabama. Life’s pretty boring, but they love to explore, so they think all their dreams have come true when they find a boat lodged in a tree following a flood – their own private hangout. But the boat’s not entirely unoccupied. It’s here that they encounter the eponymous Mud (Matthew McConaughey) – he’s homeless, but don’t call him a hobo. What unfolds is Mud’s tale of why he is where he is – he’s murdered someone for treating his girlfriend (Reese Witherspoon) in a terrible manner. He’s on the run, and not just from the police, but from the dead guy’s family too… And our two young leads become embroiled in proceedings.

Mud (2013)

Let’s start off with what I really enjoyed about the movie, and that’s the acting. I felt that every actor was really pulling their weight here. A lot of credit has to go to Tye Sheridan for carrying the movie so well on his young shoulders. He really had to run the gamut of emotions in this movie and really captured the frustrations of being at that age – dealing with the confusing Mud situation and dealing with those pesky “love” emotions. Similarly, Jacob Lofland was ably suited to his role too; providing much of the comic relief in the movie. Not that there were laughs galore to be had, but he broke the tension well. But this is Matthew McConaughey‘s movie, yet again. His character, Mud, is a mysterious one. And thankfully it’s one that doesn’t rely on getting his top off (all the time… it does happen though), or smiling at the camera as McConaughey is so accustomed to. I’d argue that his performance here isn’t as startling as that of Killer Joe, or indeed A Time To Kill, but it’s still resoundingly strong. And before I leave this little “acting love-in”… Reese Witherspoon? Who’d have expected her to be doing some genuine acting too!?

The other thing I loved about the movie is it all just “fit” into place. It didn’t seem like a movie – it was like the cameras turned up and just captured the everyday lives of its inhabitants as they were. It’s hard to put this into words to accurately convey the feeling I had here, but the cinematography and direction by Jeff Nichols was suitably apt.

Mud (2013)

However, the film isn’t without its problems – crucially in pacing. The movie does drag its heels at several occasions and the film doesn’t need to be over two hours long. Not by any stretch of the imagination. It seems like the constant “fetch quests” that the boys went on carried on for far too long. This gave the impression that the film was somewhat directionless, as you couldn’t really see any plot progression aside from the fact that you wondered what was going to happen to McConaughey‘s character… at some point. All of this changed dramatically in the final 30 minutes, which was choc-full of action and drama. But for me, it was a case of “too little, too late”. The plotting was there, the script was there and the acting was definitely there. It’s just a shame the film became a little too enraptured with itself to really steam along at a brisk enough pace. Don’t get me wrong, I can do slow and lingering, but there’s a limit on this. Unfortunately, Mud went past that point.

Mud is another star turn for Matthew McConaughey, who’s picked up something of a habit of taking roles you wouldn’t have assigned to him half a decade ago. Whilst I wasn’t as blown away by Mud as I was by Joe in Killer Joe, this can still be classified as a success for him. Similarly, I want to see more from Tye Sheridan in the future. The kid’s got talent and I’m keen to see where he goes next. Unfortunately, the film trips itself up with its rather slow pacing, which makes the second act drag to an alarming degree. So, ultimately, Mud‘s a solid movie, but isn’t one I’d rush out to see again any time soon.

Why don’t more actors follow Matthew McConaughey and Channing Tatum? Take some of those wild and whacky roles. Take a risk! I want to see Megan Fox in a cerebral thriller about feminism, I want to see Tommy Lee Jones doing some slapstick comedy opposite Rob Schneider and I want to see Samuel L. Jackson… erm… what genre hasn’t this guy done!? OK, perhaps everyone should follow Jackson‘s lead and not the others’. Then they can all star in such fabulous movies as Snakes on a Plane, The Spirit and Deep Blue Sea… oh, wait…

Phage Factor:

3.5 Star


Killer Joe (2012)

Finger Lickin’ Good…

So often nowadays do actors become type-cast into particular roles and genres. You’re going to see a Michelle Rodriguez movie? Well, you know she’s not going to be wearing a dress and brandishing a sterling British accent. You’re going to see a Jason Statham movie? Well, likewise, you’re not going to be getting an engaging story about how one man battles adversity and discrimination to be taken seriously as a Spanish teacher in downtown Madrid. Unless by “adversity” and “discrimination” you mean “pimps” and “drug runners”, and by “Spanish teacher” you allude to “mean bad-ass”…

Joe… not a man you want to disappoint.

That’s why it’s so great to see an actor break out of their shackles and surprise you, like Jonah Hill in last year’s fantastic Moneyball, or Channing Tatum flexing his comedy chops in 21 Jump Street. So when someone throws the name Matthew McConaughey at you, I’d presume you’d think of the latest “first date” fodder film, such as How To Lose a Guy in 10 Days or The Wedding Planner, and not his fantastic turn in A Time To Kill. Well, chalk this one up with McConaughey‘s “non-rom-com” films… and also rack it up as one of his best.

Briefly, Killer Joe follows the exploits of a family in the backwoods of Texas as they scheme to off someone for a lucrative life insurance premium. So who do they turn to? Joe (McConaughey): the detective who moonlights as a killer-for-hire of course. As the family can only pay after the contract has been completed and the insurance claimed, Joe chooses to take a “retainer” just in case he doesn’t get his cash, and that retainer is Dottie (a captivating Juno Temple) – the young, naive daughter of the family. What ensues, for those unfamiliar with the award-winning theatre production, is an undeniably enthralling number of twists and turns as we learn how the tale of this desperate family unfolds.

What’s so great about this film is the same “just one more page” compulsion you get with all the best novels: you’re dying to know what’s coming next, due in no small part to the fantastic cast and sharply delivered dialogue. McConaughey and Temple are ably backed up by Emile Hirsch as the indebted son Chris and Thomas Haden Church as the good-for-nothing father Ansel, whose world-weary one liners provide some much-needed comic relief during some of the most intense scenes of the film. And believe me when I say “intense”. When this film chooses to get dark, it’s like wandering into a cave. At night. With a blindfold on. It can make The Dark Knight Rises look about as diabolical and dark as The Smurfs. My mind immediately leaps to parallels with 2011’s fantastic Drive, which whilst fantastic, didn’t shy away from some graphic beatings. However, Killer Joe also delves into sexual depravity on several occasions – something not seen in Drive, but don’t let that perturb you; it’s worth it. And if nothing else, I can guarantee that you’ll not look at a KFC drumstick the same for a good few weeks…

An enthralling, yet deeply sinister story of murder in darkest Texas. The entire cast shines in what surely must be one of the must see’s of the summer if you love a character-driven tale. Maybe not a film for those that are faint-of-heart or have a particular affection for the Colonel’s fried chicken…

Phage Factor:

4 Star